Cut everything below 200 Hz from a 55 Hz note and you’ll still hear it. Your brain rebuilds the missing note from the harmonics left behind. It’s the same reason a touch of saturation keeps an 808 alive on tiny speakers.
We followed one sound from the speaker cone all the way to your cochlea. A few things that changed how we mix:
Sound travels about 34 cm every millisecond. Distance is time. A 20 Hz wave is 17 m long. That’s why your neighbour hears your kick but not your hi-hats. Two mics on one source can carve notches into your tone. Check in mono before you touch the EQ. Your chair might be sitting in a bass hole. Move it before you boost.
What does it actually feel like to have Skrillex walk into your session? Chase & Status break down exactly what happened, and why working with him changed everything about how they approached the track 🎛️🔥
Nov 10, 12:38